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Five Christmas villancicos from the Seminario San Antonio Abad, Cusco, Peru: commentary and performance editions
Cáceres, Maritza
Cáceres, Maritza
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[Fort Worth, Tex.] : Texas Christian University,
Date
2015
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Abstract
This document focuses on the performance edition of five Christmas villancicos found in the manuscripts from the musical archive of the Seminario San Antonio Abad in Cusco, Peru. During the seventeenth and eighteenth centuries, rich traditions, which included painting and music, were established in the Seminario, cathedral and other churches in Cusco. Among these musical traditions was the villancico, which became popular during religious festival seasons such as Easter, Corpus Christi and Christmas. The popularity of the villancico was in large part due to its use of the vernacular language, Spanish. Only a small number of villancicos found in this archive, have been published and available in modern editions. This document attempts to correct that situation by providing choral editions of these villancicos so they may be programmed and performed by modern-day choirs.
Contents
A la fiesta al festejo(villancico de Navidad) --Zagalejos --Desvelado due?o mio(rorro de Navidad) /Thom?s Torrejon y Velasco --No lloreis mi ni?o --Turulo neglo.
Subject
Subject(s)
Villancicos (Music)
Villancicos (Music) History and criticism.
Seminario San Antonio Abad del Cusco Music History and criticism.
Sacred music Peru Cuzco 17th century History and criticism.
Sacred music Peru Cuzco 18th century History and criticism.
Torrej?n y Velasco, Tom?s de,1644-1728.
Desvelado due?o mio
Villancicos (Music) History and criticism.
Seminario San Antonio Abad del Cusco Music History and criticism.
Sacred music Peru Cuzco 17th century History and criticism.
Sacred music Peru Cuzco 18th century History and criticism.
Torrej?n y Velasco, Tom?s de,1644-1728.
Desvelado due?o mio
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Music