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dc.contributor.advisorGil, Daniel Juan
dc.contributor.authorSingleton, Ariella,author.en_US
dc.date.accessioned2019-08-30T18:13:17Z
dc.date.available2019-08-30T18:13:17Z
dc.date.created2019en_US
dc.date.issued2019en_US
dc.identifieraleph-005304722en_US
dc.identifierUMI thesisen_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/26779
dc.description.abstractThis thesis explores what presentist and historicist scholarship on Othello, As You Like It, and Shakespeare more broadly reveals about not only the fundamentals of both presentism and historicism, but also the benefits and downfalls of each in analyses of Shakespeare’s works. This exploration is premised on two things. First, Othello and As You Like It provide uniquely appropriate jumping-off points for talking about race and gender through historicism and presentism. Second, there are political implications to employing these approaches that make them worth exploring in a thesis-length project.en_US
dc.format.extent1 online resource (iv, 55 pages) :en_US
dc.format.mediumFormat: Onlineen_US
dc.relation.ispartofTCU Master Thesisen_US
dc.titleThe politics of interpretation: presentist and historicist perspectives of Othello and As You Like Iten_US
dc.typeTexten_US
etd.degree.levelMaster
local.collegeAddRan College of Liberal Arts
local.departmentEnglish
local.academicunitDepartment of English
dc.type.genreThesis
local.subjectareaEnglish
etd.degree.nameMaster of Arts


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