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An introduction to the topic of dance authenticity with a historical overview of the changes inn The four temperaments by Gearge BalanchineShow simple item record

dc.contributor.advisorWoods-Rand, B. Stephanie
dc.contributor.authorGarber, Sharonen_US
dc.date.accessioned2019-10-11T15:10:08Z
dc.date.available2019-10-11T15:10:08Z
dc.date.created1992en_US
dc.date.issued1992en_US
dc.identifieraleph-548977en_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/31996
dc.format.extentiv, 74 leaves : illustrationsen_US
dc.format.mediumFormat: Printen_US
dc.language.isoengen_US
dc.relation.ispartofTCU Master Thesisen_US
dc.titleAn introduction to the topic of dance authenticity with a historical overview of the changes inn The four temperaments by Gearge Balanchineen_US
dc.typeTexten_US
etd.degree.levelMaster
local.collegeCollege of Fine Arts
local.departmentDance
local.academicunitDepartment of Ballet
dc.type.genreThesis
local.subjectareaDance
dc.identifier.callnumberMain Stacks: TCU Master Thesis (Regular Loan)
dc.identifier.callnumberSpecial Collections: TCU Master Thesis (Non-Circulating)
etd.degree.nameMaster of Fine Arts


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