A transforming word: The call to reclaim dramatic art as central to the act of proclamation in Protestant worshipShow full item record
Title | A transforming word: The call to reclaim dramatic art as central to the act of proclamation in Protestant worship |
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Author | Hosemann-Butler, Anna |
Date | 2005 |
Genre | Dissertation |
Degree | Doctor of Ministry |
Abstract | The first task of this endeavor is to formulate a clear theological basis for the use of drama as a central component of Christian worship. In conjunction with the theology of the dramatic, a dramatic paradigm for worship will be offered. This paradigm will be based on an understanding of drama as an art form with roots in the human need for ritual expression in relation to a fundamental faith claim of Christianity, the Trinity. In turn, a comprehensive examination of the history of the use of drama in the Christian Church, followed by a section offering criteria for critique of what is currently available in the field of 21st century liturgical drama, will be offered. Congregational profiles of the two churches in which the dramas were presented, evaluation of the texts as produced, and some concluding remarks will follow which might help to determine the effectiveness of the project. In addition, some points for reference will be offered as a way to underscore and perhaps enhance future efforts in the field for others. Finally, four original dramas are given as appendices, along with a brief exegetical introduction relating t the plays to various aspects of the doctrine of the Incarnation. Each uses a different form of classical drama: a comedy; a two-person existential dialogue; a dramatic monologue; and, a classical Greek chorus. Three of the four texts were presented in two different congregational contexts. The fourth was presented as part of a woman's bible study which focused on the feminist critique of Scripture. Ultimately all four pieces were evaluated anonymously by a team of worshippers from each congregation. An overview of their perceptions and reactions is included, along with notes regarding the value of each production in relation to the particular liturgy in which it was produced. |
Link | https://repository.tcu.edu/handle/116099117/35081 |
Department | Brite Divinity School |
Advisor | White, Susan |
This item appears in the following Collection(s)
- Doctoral Dissertations [1485]
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