| dc.contributor.advisor | Lemon, Alex | |
| dc.contributor.author | Hamlett, Bill | |
| dc.date | 2013-05-03 | |
| dc.date.accessioned | 2015-01-07T18:42:30Z | |
| dc.date.available | 2015-01-07T18:42:30Z | |
| dc.date.issued | 2013 | |
| dc.identifier | 115 | en_US |
| dc.identifier.uri | https://repository.tcu.edu/handle/116099117/7203 | |
| dc.description.abstract | This project consisted of a creative exploration of Jo-Ha-Kyu aesthetic as described in Motokiyo Zeami's The Transition of the Flower through the Forms and The Three Paths, and Takemono Gidayu's Sixteen Eighty-Seven Collection of Joruri Scenes. I sought to implement Jo-Ha-Kyu concepts as a writing heuristic and produced plans for a five-part novella, modeled after the conventions of Noh theatre composition. The final product presented here is an excerpt from the third act--which, as per Jo-Ha-Kyu, is characterized by pathos and dramatic climax. | |
| dc.title | Experimentation in Jo-Ha-Kyu Narrative Theory: The Origin of a Novella | |
| etd.degree.department | English | |
| local.college | AddRan College of Liberal Arts | |
| local.college | John V. Roach Honors College | |
| local.department | English | |
