Extended Techniques on Horn and Their Use in Contemporary Film

dc.contributor.advisor	Gibbons, William
dc.contributor.author	McKinney, Caiti Beth
dc.date	2014-05-05
dc.date.accessioned	2015-01-07T18:42:31Z
dc.date.available	2015-01-07T18:42:31Z
dc.date.issued	2014
dc.identifier	285	en_US
dc.identifier.uri	https://repository.tcu.edu/handle/116099117/7213
dc.description.abstract	In this paper I seek to explain the various ways composers use the French horn and its extended techniques in film music dating from the 1930s to the present. I specifically focus on the techniques of stopped horn, glissandi, trills, extreme upper register and flutter-tongue. I also concentrate my studies on three film genres; science-fiction/fantasy, western and horror.
dc.title	Extended Techniques on Horn and Their Use in Contemporary Film
etd.degree.department	Music
local.college	College of Fine Arts
local.college	John V. Roach Honors College
local.department	Music

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