Show simple item record

dc.contributor.advisorEnos, Richard Leo
dc.contributor.authorBurkett, John Walten_US
dc.date.accessioned2014-07-22T18:48:13Z
dc.date.available2014-07-22T18:48:13Z
dc.date.created2011en_US
dc.date.issued2011en_US
dc.identifieretd-03212011-130736en_US
dc.identifierumi-10194en_US
dc.identifiercat-001666423en_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/4295
dc.description.abstractThis new commentary on Aristotle's Rhetoric III serves the purpose which the text held at the Classical Lyceum: elucidating Aristotle's theory of style (lexis) and arrangement (taxis) for scholars, teachers, and practitioners of rhetoric. This commentary provides a much needed update because the last commentary, written by Cambridge classicist E.M. Cope in 1877, is now understood as a misinterpretation that reads Aristotle Platonically, takes seriously only rational appeals, assumes a mimetic theory of language that depreciates style, and misdefines central concepts like the enthymeme and common topics. Providing a new interpretation, this commentary may be summarized by three adjectives: Grimaldian, rhetorical, and accessible. First, this Grimaldian commentary applies the new rhetoric philosophy of William M.A.^Grimaldi, S.J., which he explicates in Studies in the Philosophy of Aristotle's Rhetoric (1972) and in his two-volume Commentary (1980-1988), wherein Grimaldi develops an integrated and contextual interpretation of the Rhetoric. Second, this rhetorical commentary observes the rhetoric in the Rhetoric since Aristotle typically practices what he teaches: writing with enthymemes, defining by metaphor, clarifying by antithesis, and arranging units by thesis, analysis, and synthesis. This commentary observes how Aristotle applies his three rhetorical appeals (ethos, pathos, logos), his theories of propriety (prepon), exotic (xenos), and virtue (arete) in style, and the systems of Greek imagery, all of which develop a unified and interactive theory of invention, style, and arrangement.^Attention is given to Aristotle's creative theory of metaphor, being a tropos (turn) and a topos (place) of invention, functioning as a stylistic syllogism for creating knowledge with quick, pleasant learning. Arrangement also functions creatively with localized topical procedures for responding to the particular needs of each part of a composition. Third, this accessible commentary features text, translation, comments, and glossary for readers who may not be familiar with Aristotle's idiom but who have an interest in his rhetorical theory and technical terms. Finally, incorporating recent scholarship, this commentary provides insights from classical rhetoric and new rhetoric, showing their interrelationship and how contemporary research in rhetoric builds on and helps to elucidate Aristotle's expansive rhetoric as a general theory of language.
dc.format.mediumFormat: Onlineen_US
dc.language.isoengen_US
dc.publisher[Fort Worth, Tex.] : Texas Christian University,en_US
dc.relation.ispartofTexas Christian University dissertationen_US
dc.relation.ispartofUMI thesis.en_US
dc.relation.ispartofTexas Christian University dissertation.en_US
dc.relation.requiresMode of access: World Wide Web.en_US
dc.relation.requiresSystem requirements: Adobe Acrobat reader.en_US
dc.subject.lcshAristotle.en_US
dc.subject.lcshRhetoric, Ancient.en_US
dc.titleAristotle, Rhetoric III: a commentaryen_US
dc.title.alternativeAristotle, Rhetoric 3: a commentaryen_US
dc.typeTexten_US
etd.degree.departmentDepartment of English
etd.degree.levelDoctoral
local.collegeAddRan College of Liberal Arts
local.departmentEnglish
local.academicunitDepartment of English
dc.type.genreDissertation
local.subjectareaEnglish
etd.degree.nameDoctor of Philosophy
etd.degree.grantorTexas Christian University


Files in this item

Thumbnail
This item appears in the following Collection(s)

Show simple item record