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dc.creatorShelley, Percy Bysshe, 1792-1822
dc.date.accessioned2014-11-05T19:22:19Z
dc.date.available2014-11-05T19:22:19Z
dc.date.issued1817-10-13
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/6167
dc.descriptionAutograph letter from Percy Bysshe Shelley to a publisher. Transcriptions included.
dc.formatPDF
dc.format.medium5 pages, double sheet and single sheet, 18.2 x 11.5 cm
dc.relationWilliam Luther Lewis Collection
dc.rightsPrior written permission from TCU Special Collections required to use any photograph.
dc.sourceFF-B2, Housed in a box covered in brown buckram labeled "Autograph Letters of Percy B. Shelley to Thomas Jefferson Hogg and Others"
dc.subjectAuthors
dc.subjectLetters
dc.subjectAutographs
dc.titleLetter from Percy Bysshe Shelley to a publisher
dc.typeImage
dc.identifier.digitool97711en_US
dc.date.captured2012-04-04
dc.description.transcription13 Lisson Grove North October 13. 1817. Sir I send you the 4 first sheets of my Poem, entitled Laon & Cythne, or the Revolution of the Golden City." I believe this commencement affords a sufficient specimen of the work. I am conscious indeed that some of the concluding cantos when "the plot thickens" & human passions are brought into more critical situations of development, are written with more energy & clearness, and that to see a work of which unity is one of the qualifications aimed at by the author, in a disjointed state, is in a certain degree unfavourable to the general impression. If, however, you submit it to Mr. Moore's judgment, he will make due allowance for these circumstances. The whole poem, with the exception of the first canto & part of the last is a mere human story without the smallest intermixture of supernatural interference. The first canto is indeed in some measure a distinct poem, tho' very necessary to the wholeness of the work. I say this, because, if it were all written in the manner of the first canto, I could not expect that it should be interesting to any great number of people. I have attempted in the progress of my work to speak to the common & elementary emotions of the human heart, so that tho' it is the story of violence & revolution, it is relieved by milder pictures of friendship & love & natural affections. The scene is supposed to be laid in Constantinople & modern Greece, but without much attempt at minute delineation of Mahometan manners. It is in fact a tale illustrative of such a Revolution as might be supposed to take place in an European nation, acted upon by the opinions of what has been called (erroneously, as I think), the modern philosophy, and contending with antient notions & the supposed advantage derived from them to those who support them. It is a Revolution of this kind, that is, the beau ideal, as it were of the French Revolution, but produced by the influence of individual genius, & out of general knowledge. The authors of it are supposed to be my hero & heroine whose names appear in the title. My private friends have expressed to me a very high, & therefore I do not doubt, a very erroneous judgment of my work. However, of this I can determine neither way. I have resolved to give it a fair chance, & my wish therefore, is first, to know whether you would purchase any interest in the copyright, an arrangement which, if there be any truth in the opinions of my friends Lord Byron & Mr. Leigh Hunt of my powers cannot be disadvantageous to you & in the second place, how far are you willing to be the publisher of it on my own account, if such an arrangement, which I should infinitely prefer, cannot be made. I rely however on your having the goodness at least to send this sheet to Mr. Moore & ask his opinion of their merits. I have the honor to be Sir Your very obed. Ser. PERCY B. SHELLEY


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