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World Music's Role in the Construction of a Hyperrealistic Africa in Disney's The Lion KingShow simple item record

dc.contributor.advisorGibbons, William
dc.contributor.authorJordan, Cameronen_US
dc.date.accessioned2015-12-18T19:07:04Z
dc.date.available2015-12-18T19:07:04Z
dc.date.created2015en_US
dc.date.issued2015en_US
dc.identifiercat-2577505en_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/10238
dc.format.mediumFormat: Onlineen_US
dc.relation.ispartofTCU Master Thesisen_US
dc.titleWorld Music's Role in the Construction of a Hyperrealistic Africa in Disney's The Lion Kingen_US
dc.typeTexten_US
etd.degree.levelMaster
local.collegeCollege of Fine Arts
local.departmentMusic
dc.type.genreThesis
local.subjectareaMusic
etd.degree.nameMaster of Music


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