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dc.creatorYork, Clay
dc.creatorChimbel, Aaron
dc.date.accessioned2019-07-12T16:01:54Z
dc.date.available2019-07-12T16:01:54Z
dc.date.issued2016-12-31
dc.identifier.urihttps://doi.org/10.1080/23311983.2016.1227234
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/26414
dc.identifier.urihttps://www.tandfonline.com/doi/full/10.1080/23311983.2016.1227234
dc.description.abstractThis paper analyzes journalism's coverage of concert contemporary dance as a method of human communication, a component of cultural conversation, and a member of the greater creative exchange. It analyzes the current problems within journalism and provides suggestions as to how dance journalism can survive the upheaval in the journalism industry, which could help dance become and remain relevant to a larger pool of American society.en_US
dc.language.isoenen_US
dc.publisherTaylor and Francis
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceCogent Arts & Humanities
dc.subjectcontemporary danceen_US
dc.subjectdance journalismen_US
dc.subjectcultureen_US
dc.subjectjournalismen_US
dc.subjectgatekeepingen_US
dc.subjectdanceen_US
dc.titleGatekeepers of dance: Journalistic coverage of concert contemporary danceen_US
dc.typeArticleen_US
dc.rights.holderClay York et al.
dc.rights.licenseCC BY 4.0
local.collegeBob Schieffer College of Communication
local.departmentJournalism
local.personsYork (Dance), Chimbel (JOUR)


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