dc.creator | York, Clay | |
dc.creator | Chimbel, Aaron | |
dc.date.accessioned | 2019-07-12T16:01:54Z | |
dc.date.available | 2019-07-12T16:01:54Z | |
dc.date.issued | 2016-12-31 | |
dc.identifier.uri | https://doi.org/10.1080/23311983.2016.1227234 | |
dc.identifier.uri | https://repository.tcu.edu/handle/116099117/26414 | |
dc.identifier.uri | https://www.tandfonline.com/doi/full/10.1080/23311983.2016.1227234 | |
dc.description.abstract | This paper analyzes journalism's coverage of concert contemporary dance as a method of human communication, a component of cultural conversation, and a member of the greater creative exchange. It analyzes the current problems within journalism and provides suggestions as to how dance journalism can survive the upheaval in the journalism industry, which could help dance become and remain relevant to a larger pool of American society. | |
dc.language.iso | en | en_US |
dc.publisher | Taylor and Francis | |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.source | Cogent Arts & Humanities | |
dc.subject | contemporary dance | |
dc.subject | dance journalism | |
dc.subject | culture | |
dc.subject | journalism | |
dc.subject | gatekeeping | |
dc.subject | dance | |
dc.title | Gatekeepers of dance: Journalistic coverage of concert contemporary dance | |
dc.type | Article | |
dc.rights.holder | Clay York et al. | |
dc.rights.license | CC BY 4.0 | |
local.college | Bob Schieffer College of Communication | |
local.department | Journalism | |
local.persons | York (Dance), Chimbel (JOUR) | |