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dc.creatorYork, Clay
dc.creatorChimbel, Aaron
dc.date.accessioned2019-07-12T16:01:54Z
dc.date.available2019-07-12T16:01:54Z
dc.date.issued2016-12-31
dc.identifier.urihttps://doi.org/10.1080/23311983.2016.1227234
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/26414
dc.identifier.urihttps://www.tandfonline.com/doi/full/10.1080/23311983.2016.1227234
dc.description.abstractThis paper analyzes journalism's coverage of concert contemporary dance as a method of human communication, a component of cultural conversation, and a member of the greater creative exchange. It analyzes the current problems within journalism and provides suggestions as to how dance journalism can survive the upheaval in the journalism industry, which could help dance become and remain relevant to a larger pool of American society.
dc.language.isoenen_US
dc.publisherTaylor and Francis
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceCogent Arts & Humanities
dc.subjectcontemporary dance
dc.subjectdance journalism
dc.subjectculture
dc.subjectjournalism
dc.subjectgatekeeping
dc.subjectdance
dc.titleGatekeepers of dance: Journalistic coverage of concert contemporary dance
dc.typeArticle
dc.rights.holderClay York et al.
dc.rights.licenseCC BY 4.0
local.collegeBob Schieffer College of Communication
local.departmentJournalism
local.personsYork (Dance), Chimbel (JOUR)


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