dc.contributor.advisor | McGettigan, Joan | |
dc.contributor.author | Smith, Tom W. (Tom William), 1949- | en_US |
dc.date.accessioned | 2019-10-11T15:10:37Z | |
dc.date.available | 2019-10-11T15:10:37Z | |
dc.date.created | 2000 | en_US |
dc.date.issued | 2000 | en_US |
dc.identifier | aleph-854968 | en_US |
dc.identifier.uri | https://repository.tcu.edu/handle/116099117/32953 | |
dc.format.extent | vi, 62 leaves | en_US |
dc.format.medium | Format: Print | en_US |
dc.language.iso | eng | en_US |
dc.relation.ispartof | TCU Master Thesis | en_US |
dc.title | Tarkovsky and the transcendental organic cinema | en_US |
dc.type | Text | en_US |
etd.degree.level | Master | |
local.college | Bob Schieffer College of Communication | |
local.department | Film, Television, and Digital Media | |
local.academicunit | Department of Media Studies | |
dc.type.genre | Thesis | |
local.subjectarea | Film/TV/Radio/Digital Media | |
dc.identifier.callnumber | Main Stacks: TCU Master Thesis (Regular Loan) | |
dc.identifier.callnumber | Special Collections: TCU Master Thesis (Non-Circulating) | |
etd.degree.name | Master of Science | |