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dc.contributor.advisorColpitt, Frances J.
dc.contributor.authorWhite, Erin Starren_US
dc.date.accessioned2014-07-22T18:47:33Z
dc.date.available2014-07-22T18:47:33Z
dc.date.created2008en_US
dc.date.issued2008en_US
dc.identifierUMI thesisen_US
dc.identifieretd-05082008-155001en_US
dc.identifiercat-001366368en_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/4113
dc.format.mediumFormat: Onlineen_US
dc.publisher[Fort Worth, Tex.] : Texas Christian University,en_US
dc.relation.ispartofTCU Master Thesisen_US
dc.relation.requiresMode of access: World Wide Web.en_US
dc.relation.requiresSystem requirements: Adobe Acrobat reader.en_US
dc.titleFictitious criticism at the close of the 1960s: parody, performativity, and the postmodernen_US
dc.typeTexten_US
etd.degree.departmentCollege of Fine Arts
etd.degree.levelMaster
local.collegeCollege of Fine Arts
local.departmentArt
local.academicunitCollege of Fine Arts
dc.type.genreThesis
local.subjectareaArt
etd.degree.nameMaster of Arts


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