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dc.contributor.advisorRobbins, Sarah Ren_US
dc.creatorPerry, Hanna Kate
dc.date.accessioned2023-05-01T21:01:20Z
dc.date.available2023-05-01T21:01:20Z
dc.date.issued2023-05-01
dc.identifiercat-7194015en_US
dc.identifier.urihttps://repository.tcu.edu/handle/116099117/58232
dc.description.abstractThis thesis examines the role of representation of Okie migrants through photography, literature, and film during the Dust Bowl era. Okies were faced with discrimination as they traveled and once they reached California. The stereotypes of Oklahoma migrants became more real to outside populations than who the migrants were in reality. Through image studies and ecofeminist analysis of Dorothea Lange’s FSA photography, novels written by John Steinbeck and Sanora Babb, and John Ford’s film adaptation of The Grapes of Wrath, this research demonstrates that popular culture and government representation of Okies helped to fight the stereotypes placed on migrant groups. It argues for more positive representation of Okies in public spaces. The photos, novels, and film were created through intentional engagement with migrants, allowing Okies to have advocacy for shaping their representations in popular culture and government spheres.en_US
dc.format.mediumFormat: Onlineen_US
dc.language.isoenen_US
dc.subjectEnglish literatureen_US
dc.subjectRhetoricen_US
dc.subjectAmerican literatureen_US
dc.subjectDust bowlen_US
dc.subjectEcofeminismen_US
dc.subjectFilmen_US
dc.subjectPhotographyen_US
dc.subjectMigrationen_US
dc.title"Surrender up to me the premises now occupied": representations of migrant ecologies in works from the dust bowlen_US
dc.typeTexten_US
etd.degree.levelMaster of Artsen_US
local.collegeAddRan College of Liberal Artsen_US
local.departmentEnglishen_US
dc.type.genreThesisen_US


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