| dc.creator | Morgan, Daniel | |
| dc.creator | Schonig, Jordan | |
| dc.date.accessioned | 2024-09-25T21:35:58Z | |
| dc.date.available | 2024-09-25T21:35:58Z | |
| dc.date.issued | 10/31/2023 | |
| dc.identifier.uri | https://doi.org/10.3998/fc.4730 | |
| dc.identifier.uri | https://repository.tcu.edu/handle/116099117/65983 | |
| dc.description | This special issue on the topic of camera movement emerged from a conference we organized at the University of Chicago in the fall of 2016. In setting out the terms for the conference, we noted that "camera movements have remained surprisingly marginal and elusive in critical work. Often brought up within analyses of films and filmmakers, they are rarely the explicit subject of analysis themselves." The aim was to use the conference "to change this state of affairs," and to begin to generate a debate drawing on the "multiple theories or models of explanation" that attend so many of the other topics across cinema and media studies. | |
| dc.language | en | |
| dc.publisher | University of Michigan Library | |
| dc.source | FILM CRITICISM | |
| dc.title | Introduction: Camera Movement and the Necessity of Criticism | |
| dc.type | Article | |
| dc.rights.license | CC BY-NC-ND 4.0 | |
| local.college | Bob Schieffer College of Communication | |
| local.department | Film, Television, and Digital Media | |
| local.persons | Schonig (FTDM) | |
